Dave Sim from way back:
I see the superhero as a specific personality which is not dependent on the cosmetics of the tights and whatnot. It's the complete outsider who adjusts to his "outsiderness" by developing an over-inflated self-opinion. To me, that's the way the Roach character works. It's interesting to bring someone in who is completely clueless but thinks everything is related to them. The world revolves around them.[...]
They've so dominated the medium for 50 years. I wasn't here for the first 18 years that Superman was around. And that's well worth looking back at. Why did that endure? Why did something that's so... if you look at the seminal point, ÔSuperman' was used extensively in the popular vocabulary because of the Nazis. Jerry Siegel grabbed this word and said "Yes! A comic book about Superman." And then his next trip to the well is to do the Spectre. And it's like "Yeah, that's another word going around; the spectre of war. Superman. Geez. That's kind of scary when you start to think of it." This environment where that endured in its context and in its own subtext without any kind of purge. It's one of the things that I don't think people look at with the 1954 clampdown on comics. Yeah, it was about horror and terror comics. But they were talking about superhero comics, too. "Let's not have these God-like guys. It's a little disturbing that it's 1950 and my kid's still talking about Superman. The only time I heard about Superman was when Adolf Hitler was talking about Supermen." Captain America! We'll make our own Superman. "America's Superman can beat Nazi Superman." No, we fought this war to put the idea of Superman into retirement.
Sim is one of my favourite artists ever, in any medium; and I say that in full knowledge of the abhorrent, hopelessly naive things he thinks about most people on earth (and says just a couple pages down in this interview). He's been a great inspiration to me, not just in his singleminded devotion to his craft but in his teaching impulse -- and I really do think that with all its faults, for all its eventual moral repugnance, Cerebus is the Great Work of the comics medium so far. Whatever that means.
Anyway, neat quote, I thought.